Sandy (F, 40-60): She is the four times married, thrice divorced owner of the wedding chapel. Quirky with a dry sense of humor. She appears in all four acts. (returns for scene 4, which is Sandy's wedding.)

Bev (F, 20-40): Recently dumped and planning a revenge marriage, but is actually in love with Stan. Naive and romantic. (returns for scene 4, which is Sandy's wedding.)

Stan (M, 20-40): Dumped by his wife, he is planning to marry Bev, the ex of the guy who stole his wife, He is still in love with his ex. Also doubles as camera man in act 3.

John (M, 20-40): Sensitive minister who works next door. Should be able to do a good Elvis Impersonation (a cappella singing and Elvis style dance moves will be requested at auditions). (returns for scene 4, which is Sandy's wedding.)

Vanessa (F, 40-50): D-list actress who saw her glory days in a beach-blanket spy vs spy sitcom. Well-kept glamour. "Recovering" alcoholic with a bossy vibe. (returns for scene 4, which is Sandy's wedding.)

Bryce (M, 40-50): D-list actor who is just as vain and self-centered as Vanessa. Should look like a leading man, even if faded. (returns for scene 4, which is Sandy's wedding.)

Lou (M, 65+): The minister and a recent widower. A onetime Elvis impersonator and a really bad one at that. (returns for scene 4, which is Sandy's wedding.)

Fiona (F, 20-40): A tough ex-con who was recently paroled. (returns for scene 4, which is Sandy's wedding.)

Marvin (M, 40-50): The meek, mild-mannered milquetoast Fiona is marrying. A gentle ex-postal worker and a postal code encyclopedia. He sees the real person inside Fiona. (returns for scene 4, which is Sandy's wedding.)

Fist (M, 20-40): Scary friend of the bride. He is a brutish felon who punches first and thinks later. (returns for scene 4, which is Sandy's wedding.

All roles, unless otherwise announced, are open. Theatre Box encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage.  Theatre Box has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage people of diverse backgrounds and abilities to audition for our productions.

Please note that by auditioning, you are obligating yourself to a considerable rehearsal and performance process. Please be certain that you are willing and able to make this commitment.

We strive to make the audition process a positive and comfortable experience for everyone. Our goal is put on a wonderful show for the audience and an enjoyable and fulfilling process for local performers.

Play auditions generally do not require advance preparation, however it is advisable to familiarize yourself with the play and parts that are available to see which character suits you best. Actors may be asked to perform monologues, or may be asked to read from the selected script and to interact with other performers during the audition process, at the discretion of the director. For musicals, you will be asked to bring your own piece of prepared music. Most singers use sheet music, and an accompanist will be provided for you.

If you have one, we recommend providing a resume/CV/headshot at the audition.  You will be given an audition form to fill out as well.

Most auditions will be held openly, however certain directors may require closed auditions for certain productions.

Theatre Box production rehearsals occur Monday and Wednesday evenings, typically from 7:30 - 9:30 PM.  All schedules are subject to change. Some rehearsals may be on weekends. Technical rehearsals are more frequent closer to show dates. The average rehearsal period is eight weeks before the show opens. 

Rehearsal times may vary depending on the time of year. Most rehearsals will run approximately 2 hours. Every effort is made early in the rehearsal process to target specific performers at specific times, to minimize “down time” for performers at rehearsals.